The Sunne Rising
-John Donne
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BUSIE old foole, unruly Sunne,
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Why
dost thou thus,
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Through
windowes, and through curtaines call on us?
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Must to
thy motions lovers seasons run?
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Sawcy
pedantique wretch, goe chide
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Late
schoole boyes, and sowre prentices,
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Goe
tell Court-huntsmen, that the King will ride,
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Call
countrey ants to harvest offices;
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Love,
all alike, no season knowes, nor clyme,
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Nor
houres, dayes, moneths, which are the rags of time.
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Thy
beames, so reverend, and strong
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Why
shouldst thou thinke?
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I could
eclipse and cloud them with a winke,
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But
that I would not lose her sight so long:
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If
her eyes have not blinded thine,
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Looke,
and to morrow late, tell mee,
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Whether
both the'India's of spice and Myne
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Be
where thou leftst them, or lie here with mee.
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Aske
for those Kings whom thou saw'st yesterday,
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And
thou shalt heare, All here in one bed lay.
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She'is
all States, and all Princes, I,
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Nothing
else is.
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Princes
doe but play us; compar'd to this,
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All
honor's mimique; All wealth alchimie.
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Thou
sunne art halfe as happy'as wee,
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In
that the world's contracted thus;
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Thine
age askes ease, and since thy duties bee
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To
warme the world, that's done in warming us.
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Shine
here to us, and thou art every where;
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This
bed thy center is, these walls, thy spheare.
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About The Poet
John Donne is the most fascinating names in English poetry. He was an English poet and a cleric in the Church of England. He is
considered the pre-eminent representative of the metaphysical poets.
Born: January 22, 1572, London, United Kingdom
Died: March 31, 1631, London, United Kingdom
Literary movement: Metaphysical poets
Poems: "A Valediction: Forbidding Mourning", "Holy Sonnets", "Death Be Not Proud", "The Good-Morrow", "The Canonization", "The Dream", "The Sunne Rising"
Paraphrase & Annotations
Busy old fool, unruly sun,
Why dost thou thus,
Through windows, and through curtains, call on us?
Why dost thou thus,
Through windows, and through curtains, call on us?
Hey! You
interfering stupid old busybody, you, Sun, who obey no regular rules -- why are
visiting us and waking us up like this, intruding on our privacy by coming in
through the [room's] windows and the [bed's] curtains? Do you think you can
ever regulate my love? No, no, no, it will certainly not happen, you understand
insolent sun. The contention is that the lover is not willing to obey the rules
of time, set down by the sun.
Must to thy motions lovers' seasons run?
Saucy pedantic wretch, go chide
Late school-boys, and sour prentices
Saucy pedantic wretch, go chide
Late school-boys, and sour prentices
Go tell court-huntsmen that the King will
ride,
Call country ants to harvest offices
Call country ants to harvest offices
Do you
think that we lovers are obliged to adjust the growth and decay of our love,
its [sexual] rise and fall, to your movements [the way the physical
world does]? "Did you really expect my lady and I to get up
just because you shined in here? You've got to be joking." Come on, be
honest.
You
impudent low fellow, go rebuke late-going school-boys, ill-tempered and
ill-humored apprentices; or else go and tell the men whose task it is to
accompany the king on his morning hunts; or else summon to their harvesting
duties the poor ant-like drudges (farmers) who live and work in the
countryside.
Love, all alike, no season knows, nor
clime,
Nor hours, days, months, which are the rags of time.
Nor hours, days, months, which are the rags of time.
Love is
immune from your interference, since it is unvarying and experiences neither
climatic nor seasonal changes, neither waxing nor waning, growing never hotter,
never colder: thus it has nothing to do with such contemptible trivia as hours,
days, or months. Days and months change as time rolls on. But so far as love is
concerned, it is beyond its cruel clutch and touch.
Thy beams, so reverend and strong
Why shouldst thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long.
Why shouldst thou think?
I could eclipse and cloud them with a wink,
But that I would not lose her sight so long.
What on
earth makes you think your rays deserve any respect from us, or are all that
powerful? Hey, I warn you okay, I can extinguish you at a wink. But I donât
want to do that, as I donât like to lose the sight of my beloved even for a few
second. That question is like a hypothetical proposition that needs a proof.
And like any good attorney, Donne is ready to prove his case. Why do I dare to
insult the sun? Well, says line 13, because if I just close my eyes then all
those sunbeams disappear.
If her eyes have not blinded thine,
Look, and tomorrow late tell me,
Whether both the Indias of spice and mine
Be where thou left'st them, or lie here with me.
Look, and tomorrow late tell me,
Whether both the Indias of spice and mine
Be where thou left'st them, or lie here with me.
Let's
give the guy some credit, though. He's saying that just as the sun is so bright
and radiant that one look can blind you, even the sun can be blinded by the
brightness and beauty of his lover's eyes. The lover exaggerated here that the
spark of his ladylove may well dazzle and blind even the mighty sun. The lover
claims that if the sun were to go look around the world, it would find that the
entire world now resided inside this one bedroom. This is the part when we
shake our heads like Scooby-Doo.
To the
lover, the ladylove is all lovely and precious and even similar to the aromatic
and yummy spices of India or valuable gold mines of West Indies.
Ask for those kings whom thou saw'st
yesterday,
And thou shalt hear, All here in one bed lay.
And thou shalt hear, All here in one bed lay.
When you
inquire for the monarchs you saw in your round-the-world course yesterday, you'll
be told that they are all now lying here, in this bed you're looking at,
embodied in me!
So Donne ends the stanza having made one strange claim—that he is even stronger
than the sun—and backed it up with a logical argument. But he makes an even stranger
claim to close the stanza—the whole world is now located in my bed.
She's all states, and all princes I,
Nothing else is.
Princes do but play us; compared to this,
All honour's mimic, all wealth alchemy
Nothing else is.
Princes do but play us; compared to this,
All honour's mimic, all wealth alchemy
Yes, she
is the whole world to me, all its kingdoms rolled into one, and I myself am
every king. If my ladylove is the whole world of love, I would be its lone and
absolute ruler. Nothing else even exists, not really. I donât care
anything else except our supreme love.
Princes
are big fakers, pretending they are as mighty as the narrator. All honor is
only simple mimicry. All wealth is alchemy (false). Donne declares
complacently, however wealthy a person may be, his or her life looks all empty
and showy without this. In fact, nothing enables a person to be as happy and
proud as for his or her love.
Thou, Sun, art half as happy as we,
In that the world's contracted thus;
Thine age asks ease, and since thy duties be
To warm the world, that's done in warming us.
In that the world's contracted thus;
Thine age asks ease, and since thy duties be
To warm the world, that's done in warming us.
Indeed
you, my dear sun, can feel happy too -- not, of course, as happy as we, but
half as much, say. It's because the whole world has been contracted into our
bedroom.
Donne
then becomes a used car salesman: "Look Mr. Sun, you're tired, you're
busy, you don't want to run around all day trying to warm up the world. So I'm
going to make you a deal—this one time only. You warm up the Mrs. and me right
here in this bed and it'll warm up the whole rest of the world for
you." By warming Donne, you're all done!" Ha Ha.
Shine here to us, and thou art
everywhere;
This bed thy center is, these walls thy sphere.
This bed thy center is, these walls thy sphere.
So go
ahead, shine in on us, and in doing so you're shining everywhere. This bed is
the centre of the cosmos around which you rotate, and the walls of this room are
the invisible sphere which holds you in the heavens.
~~~~~*~~~~~
